Nicht zu vergessen & youtube hat es eben nicht vergessen, denn wiederholt wurde diese Sendung soweit ich weiß: Nie! der 300 GeburtsTag von Johann Sebastian Bach!Historic track by the progressive rock band Jethro Tull taken from their second album Stand Up (1969). It's a modern remake of the Bourrée for lute by Johann Sebastian Bach. In this song we can hear the great work of Ian Anderson (flute) and Glenn Cornick (bass).
Traccia storica della progressive rock band Jethro Tull presa dal loro secondo album Stand Up (1969). E' un rifacimento moderno della Bourrée per liuto di Johann Sebastian Bach. In questa canzone possiamo sentire il grande lavoro di Ian Anderson (flauto) e Glenn Cornick (basso).
16/3/85 International Congress Centrum Berlin, Germany
Bach Rock Concert celebrating J.S.Bach's 300th Birthday.
Guest appearance by Eddie Jobson, instead of Peter J. Vettese.
Bourree ~ Original baroque flute (recorder) heavy metalBourrée de Montford (Jo Freya)
Jan de la Vinha (trad. Nivernais)
We realased our first full-lenght, it is a rivisitation of some piedmontese and european folk tunes. Contact us at detaranfolk@gmail.com or www.facebook.com/detaran/ if you want some more.
Hope you enjoy!
Yngwie Malmsteen Guitar Solo and "Bouree"Recorder (flauto dolce) : I played
Vocaloid: Meiko
Midi, etc..
Movie : Lord of the ring
Yngwie Malmsteen
Guitar Solo and Bouree (J.S. Bach)
Ekseption - Toccata Live (1973)UK instrumental band SKY playing electric treatment of Bach's "Toccata and Fugue in D Minor". Group specialised in fusing a variety of musical styles including light rock, progressive rock, classical and jazz. Audio version appeared on the band's second album "Sky 2" released in 1980. The latter was released as a single (under the name of "Toccata") and reached number 6 in the national pop charts, giving the band the opportunity of performing on Top Of The Pops.
Toccata and Fugue in D Minor (Best Version Ever)Dutch band Ekseption plays "Toccata" based on first part of widely renowned J.S. Bach's piece "Toccata and Fugue in D Minor". Great arrangement , just as many others from this band. This composition appeared on their 1973 album called Trinity.
I don't know who performed this, but it's by far the best recording I've ever heard!! Enjoy!!
Rock meets Bach classicAlaa Faqir : Guitars & Bass
Ahmad Ajjouri : Keyboards/Synth
Haitham Naser : Drums, Tracking & Video Editing
Nader Thalji : Mixing & Mastering
Muthanna Hattar & Saif Abu Rabeaa : Video Shooting
Hamzeh Hanbali : The Drawing of Bach
Ski Sunday Theme - David Locke - Pop Looks BachBach Air Mundgeblasen auf der Flasche, rockig auf der E-Gitarre und klassisch mit Streichern des Barock Orchesters Berlin unter der Leitung von Stefan Bevier.
Die tänzerische Begleitung leisteten etwa 1000 Tanzbegeisterte aus facebook.
Na ja und Schnitt -
David Garrett - Air (Stockholm 2011)A better quality upload of my guitar version of this classic piece.https://www.facebook.com/pages/David-...
Bach's Invention No. 13 in A Minor Meets Metal by Demián ReyesRichard Galliano plays Menuet & Badinerie from the Orchestral Suite no. 2 in B minor, BWV 1067 by J. S. Bach on accordina
Théâtre de l'Odéon, the 17th of May 2010.
Bach is the Aurorè of the Harmony, is Love, is Life, is Metal. This piece is necesary for the study of Music, I took the Harmony for create something different and completely mine.
See it in HD 1080!!!
Copyright SACM © 2013, Demián Reyes.
Windows is a live album by Jon Lord and the German conductor and composer Eberhard Schoener; the music and the record are primarily credited to Lord. It was taped at a concert in Munich, (West) Germany on 1 June 1974 and the music is a mix between progressive rock and orchestral late romantic/modernist styles.
The piece on the first side, "Continuo on B-A-C-H" is a loose attempt to build on the unfinished triple fugue that closed Johann Sebastian Bach's Art of the Fugue. The second side of the LP is a three-part composition called "Window". In the liner notes of the LP album Lord makes a comparison between the rhapsodic structure here and the renga tradition of chain composition of poetry in medieval Japan. The music of the middle section was lifted from Lord's earlier crossover effort Gemini Suite (1971).
Ray Fenwick, Tony Ashton, David Coverdale, Glenn Hughes and Lord himself perform as soloists along with the Munich Chamber Opera Orchestra conducted by Schoener. The album was released on LP by Purple Records (distributed by EMI) in late 1974 and reissued on CD (at least in West Germany) in 1987 by Line Records.
Track listing:
"Continuo On B.A.C.H." - 16:27
"Window" - 32:22
"1st Movement - Renga"
"2nd Movement - Gemini"
"3rd Movement - Alla Marcia: Allegro"
Catalog number of original LP: 1C 06295634
Personnel:
Jon Lord - Keyboards and Piano.
Ray Fenwick - Electric Guitar.
David Coverdale - Vocals.
Tony Ashton - Piano.
Glenn Hughes - Bass guitar and Vocals.
Pete York - Drums.
The Munich Chamber Opera Orchestra - Strings.
Eberhard Schoener - Orchestra Conductor.
Review by Dave Thompson
The least impressive of all Jon Lord's 1970s flirtations with the classics, Windows -- a collaboration with synth wizard Eberhard Schoener -- was recorded live at the Eurovision presentation of Prix Jeunesse on June 1, 1974, in Munich. Performed by both a seven-piece rock band and the orchestra of the Munich Chamber Opera, Windows comprises just two pieces. The title track, which was built around a Far Eastern renga (a form of chain poetry), is highlighted, for longtime Lord watchers, by the inclusion of large swathes of the vocal segment of his earlier Gemini Suite; and the somewhat presumptuously intended "Continuo on B.A.C.H.," "a realization" (say the liner notes) "of a well-known incomplete fugue by Bach." Whether Bach himself would have appreciated the end result is, of course, another matter entirely. While "Continuo" certainly has its moments of quite sublime beauty, one is never allowed to forget what one is listening to -- an orchestra battling it out with a rock band, and only occasionally giving ground. The inclusion of David Coverdale and Glenn Hughes in the band is particularly eyebrow-raising. Though more or less ideal for the last years of Deep Purple, neither musician was what one would call subtle, with Coverdale's histrionic bellowing, in particular, swiftly distracting from the moods that the music and the other musicians are so patently attempting to maintain. Indeed, of the photos from the concert that bedeck the album jacket, one speaks louder than many words could -- it depicts Coverdale in full vocal flight, while the horn player beside him raises his eyes, apparently, heavenward. Overlook some of the rock band's excesses, however (including an utterly unnecessary jazz fusion passage during "Continuo"), and Windows does pack some breathtaking passages, both melody- and energy-wise. Like too many mid-'70s rock 'n' classical hybrids, however, it simply tries too hard to be special.
Wenn man sich ein bisschen mit Bachs Musik beschäftigt, ist die Lage gar nicht mehr so unüberschaubar. Im Bach-Werke-Verzeichnis (BWV) sind seine Kompositionen (weit über 1000!) sinnvoll geordnet und durchnummeriert. Das hab aber nicht Ludwig von Köchel getan, der vielmehr 1862 die Werke Mozarts in dem nach ihm benannten Köchelverzeichnis katalogisiert hat. Das BWV ist viel neueren Datums. Erst 1950 wurde es von Wolfgang Schmieder angelegt. Wie man sieht, ist er dabei sehr systematisch vorgegangen. Die Toccatas findet man unter der zweiten Rubrik BWV 525–598. Das grenzt die Suche schon mal sehr ein.*anixek hat geschrieben: Wieviele Toccatas, Fugen oder Suiten, etc. gibt es eigentlich? Wer blickt denn durch, beim KöchelVerzeichniß?